| Thursday May 26, 2019 |
| 9.30-10.00 | opening |
| 10.00-11.00 | Ilaria Pastrolin | École nationale des chartes (Paris)
- University of Udine |
|
The so-called Bologna stone: latest
discoveries about the first official document on paper sizing |
| Marie Benešová | Jihlava District State Archives, Czechia |
|
Watermarks of the Paper Mill in Staré Hory near Jihlava |
| 11.00-11.30 | Coffee break |
| 11.30-12.30 | Julia Ackermann | University of Music
and Performing Arts, Vienna |
|
Paper and Copyists in Viennese Opera Scores |
| António Jorge Marques | CESEM, NOVA FCSH, Lisbon |
|
MarcMus: a case study of music paper and handwriting in the collection of the Count of Redond |
| 12.30-14.00 | Lunch break |
| 14.00-15.00 | Alessandra Fucini | Istituto centrale per il restauro
e la conservazione del patrimonio archivistico e librario, Rome |
| Pio Amori Collection and the Corpus Chartarum Italicarum |
| Neil Harris | University of Udine, Italy |
| New Bottles, Old Wine, Humanist Databases. The Test Case of Briquet’s 1907 “Les filigranes |
| Friday May 27, 2022 |
| 9.30-11.00 | Silvia Hufnagel | Árni Magnússon Institute for Icelandic Studies, Reykjavík |
| The Role of Watermarks for the “Life of Paper” - A Project Description
(video Tumba Papermill) |
| Sanny Holm | Handpappersbruket, Sweden |
| Handmade wallpaper 18th & 19th century and several layer paper with different pulp |
| Maria Stiegleker | Austrian Academy of Sciences, Vienna |
| Make one out of three. A new system for imaging watermarks |
| Abigail Slawik | New York University NYU |
|
Presenting LEOcode: An Online Compendium of Watermarks found in Leonardo’s Papers |
| 11.00-11.30 | Coffee break |
| 11.00-12.45 | Emanuel Wenger | Austrian Academy of Sciences, Vienna |
|
Memory of Paper/Unpublished Watermark Collections |
| Livia Faggioni | Fondazione Fedrigoni Fabriano |
| Corpus Chartarum Fabriano: the story goes on |
| 12.45-14.00 | Lunch break |
